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Agatha Christie: It is completely...

Agatha Christie: It is completely...

It is completely unimportant. That is why it is so interesting.

Source: The Murder...

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Rachel Field: I used to...

Rachel Field: I used to...

I used to think I had ambition . . . but now I'm not so sure. It may have been only discontent. They're easily...

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Kate Seredy: [My stories were]...

Kate Seredy: [My stories were]...

[My stories were] an excuse for making pictures.

Source:...

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Harper Lee: Real courage is...

Harper Lee: Real courage is...

Real courage is when you know you're licked before you begin, but you begin anyway and see it through no matter...

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Margaret Atwood: The Eskimo has...

Margaret Atwood: The Eskimo has...

The Eskimo has fifty-two names for snow because it is important to them; there ought to be as many for...

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Janet Frame: It would be...

Janet Frame: It would be...

It would be nice to travel if you knew where you were going and where you would live at the end or do we ever know, do...

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Jane Rule: Morality, like language,...

Jane Rule: Morality, like language,...

Morality, like language, is an invented structure for conserving and communicating order. And morality is learned,...

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Marguerite Yourcenar: A young musician...

Marguerite Yourcenar: A young musician...

A young musician plays scales in his room and only bores his family. A beginning writer, on the other hand, sometimes...

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Marguerite Yourcenar: I have never...

Marguerite Yourcenar: I have never...

I have never seasoned a truth with the sauce of a lie in order to digest it more easily.

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Margaret Drabble: Why can't people...

Margaret Drabble: Why can't people...

Why can't people be both flexible and efficient?

Source: The Middle Ground,...

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Lillian Smith: To believe in...

Lillian Smith: To believe in...

To believe in something not yet proved and to underwrite it with our lives: it is the only way we can leave the future...

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Olive Schreiner: [Finishing schools] are...

Olive Schreiner: [Finishing schools] are...

[Finishing schools] are nicely adapted machines for experimenting on the question, Into how little space a human...

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Anais Nin: We don't see...

Anais Nin: We don't see...

We don't see things as they are, we see them as we are.

Source: In The Speaker's...

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Natalia Ginzburg: When I write...

Natalia Ginzburg: When I write...

When I write stories I am like someone who is in her own country, walking along streets that she has known since she...

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Ellen Glasgow: No idea is...

Ellen Glasgow: No idea is...

No idea is so antiquated that it was not once modern. No idea is so modern that it will not someday be...

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Sarah Orne Jewett: In the life...

Sarah Orne Jewett: In the life...

In the life of each of us, I said to myself, there is a place remote and islanded, and given to endless regret or...

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Eudora Welty: Writing fiction has...

Eudora Welty: Writing fiction has...

Writing fiction has developed in me an abiding respect for the unknown in a human lifetime and a sense of where to...

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Ivy Compton-Burnett: Real life seems...

Ivy Compton-Burnett: Real life seems...

Real life seems to have no plot.

Source: In The Speaker's Electronic Reference...

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Alexandra Ripley: I really don't...

Alexandra Ripley: I really don't...

I really don't know why Scarlett has such appeal. When I began writing the sequel, I had a lot of trouble because...

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Daphne DuMaurier: She could not...

Daphne DuMaurier: She could not...

She could not separate success from peace of mind. The two must go together.

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