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Meg Greenfield: We are fickle...

Meg Greenfield: We are fickle...

We are fickle and we are insatiable in our appetite for new news, new biases, new cliches.... It's not just... that...

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Meg Greenfield: There is such...

Meg Greenfield: There is such...

There is such a thing as tempting the gods. TalkIng too much, too soon and with too much self-satisfaction has always...

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Janet Flanner: She was built...

Janet Flanner: She was built...

She was built for crowds. She has never come any closer to life than the dinner table.

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Anne Bronte: There is always...

Anne Bronte: There is always...

There is always a but in this imperfect world.

Source: The Tenant of Wildfell Hall,...

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Edith Wharton: Another unsettling element...

Edith Wharton: Another unsettling element...

Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done...

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Anne Tyler: I didn't really...

Anne Tyler: I didn't really...

I didn't really choose to be a writer; I more or less fell into it.

Source: A...

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Carol Moseley-Braun: Defining myself, as...

Carol Moseley-Braun: Defining myself, as...

Defining myself, as opposed to being defined by others, is one of the most difficult challenges I...

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Estelle Ramey: . ....

Estelle Ramey: . ....

. . . what is human and the same about the males and females classified as Homo sapiens is much greater than the...

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Natalia Ginzburg: When I write...

Natalia Ginzburg: When I write...

When I write stories I am like someone who is in her own country, walking along streets that she has known since she...

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Eudora Welty: Long before I...

Eudora Welty: Long before I...

Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to...

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Enid Bagnold: The theatre is...

Enid Bagnold: The theatre is...

The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second...

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Elizabeth Bowen: Autumn arrives in...

Elizabeth Bowen: Autumn arrives in...

Autumn arrives in the early morning, but spring at the close of a winter day.

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Natalie Clifford Barney: Fatalism is the...

Natalie Clifford Barney: Fatalism is the...

Fatalism is the lazy man's way of accepting the inevitable.

Source: In The Ultimate...

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Agatha Christie: Most successes are...

Agatha Christie: Most successes are...

Most successes are unhappy. That's why they are successes - they have to reassure themselves about themselves by...

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Nora Ephron: I always read...

Nora Ephron: I always read...

I always read the last page of a book first so that if I die before I finish I'll know how it turned...

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E L Konigsburg: Often the search...

E L Konigsburg: Often the search...

Often the search proves more profitable than the goal.

Source: The Mixed-Up Files...

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Ivy Compton-Burnett: Real life seems...

Ivy Compton-Burnett: Real life seems...

Real life seems to have no plot.

Source: In The Speaker's Electronic Reference...

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Alexandra Ripley: We're not home-and-hearth...

Alexandra Ripley: We're not home-and-hearth...

We're not home-and-hearth people. We're the adventurers, the buccaneers, the blockade runners. Without challenge,...

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Daphne DuMaurier: Writers should be...

Daphne DuMaurier: Writers should be...

Writers should be read -- but neither seen nor heard.

Source: In The Speaker's...

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Faith Baldwin: Character builds slowly,...

Faith Baldwin: Character builds slowly,...

Character builds slowly, but it can be torn down with incredible swiftness.

Source:...

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