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Marian Wright Edelman: Don't feel entitled...

Marian Wright Edelman: Don't feel entitled...

Don't feel entitled to anything you don't sweat and struggle for.

Source: The...

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Marion Woodman: The body is...

Marion Woodman: The body is...

The body is like an elaborate metaphor. One may be able to taste and not swallow, like the anorexic, or to swallow...

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Anna Jameson: What we truly...

Anna Jameson: What we truly...

What we truly and earnestly aspire to be, that in some sense we are. The mere aspiration, by changing the frame of the...

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Laura Ingalls Wilder: I am beginning...

Laura Ingalls Wilder: I am beginning...

I am beginning to learn that it is the sweet, simple things of life which are the real ones after...

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Kate Chopin: The voice of...

Kate Chopin: The voice of...

The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close...

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Susan Sontag: The best emotions...

Susan Sontag: The best emotions...

The best emotions to write out of are anger and fear or dread. . . . The least energizing emotion to write out of is...

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Susan Sontag: The basic unit...

Susan Sontag: The basic unit...

The basic unit for contemporary art is not the idea, but the analysis of and extension of...

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Susan Sontag: All. . ....

Susan Sontag: All. . ....

All. . . forms of consensus about great books and perennial problems, once stabilized, tend to deteriorate eventually...

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Rebecca West: There is no...

Rebecca West: There is no...

There is no wider gulf in the universe than yawns between those on the hither and thither side of vital...

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Ninon de Lenclos: Words really flattering...

Ninon de Lenclos: Words really flattering...

Words really flattering are not those which we prepare but those which escape us...

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Jane Austen: How can you...

Jane Austen: How can you...

How can you contrive to write so even?

Source: (Miss Bingley) Pride and Prejudice,...

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Marguerite Duras: For that's what...

Marguerite Duras: For that's what...

For that's what a woman, a mother wants -- to teach her children to take an interest in life. She knows it's safer for...

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Joyce Carol Oates: We inhabit ourselves...

Joyce Carol Oates: We inhabit ourselves...

We inhabit ourselves without valuing ourselves, unable to see that here, now, this very moment is sacred; but once...

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Anne Tyler: People always call...

Anne Tyler: People always call...

People always call it luck when you've acted more sensibly than they have.

Source:...

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Willa Cather: To note an...

Willa Cather: To note an...

To note an artist's limitations is but to define his talent.

Source: Not Under...

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Alexandra Ripley: Should-haves solve nothing....

Alexandra Ripley: Should-haves solve nothing....

Should-haves solve nothing. It's the next thing to happen that needs thinking about.

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Judith Krantz: I'm convinced that...

Judith Krantz: I'm convinced that...

I'm convinced that it's energy and humor. The two of them combined equal charm.

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Susan Warner: Many a bit...

Susan Warner: Many a bit...

Many a bit we passed in our ignorance, in the days when we could see no metal but what glittered on the surface . ....

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Nancy Mitford: An aristocracy in...

Nancy Mitford: An aristocracy in...

An aristocracy in a republic is like a chicken whose head has been cut off: it may run about in a lively way, but in...

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Shirley Hazzard: It's a nervous...

Shirley Hazzard: It's a nervous...

It's a nervous work. The state that you need to write is the state that others are paying large sums to get rid...

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