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Agatha Christie: I've always believed...

Agatha Christie: I've always believed...

I've always believed in writing without a collaborator, because where two people are writing the same book, each...

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Margery Allingham: He did not...

Margery Allingham: He did not...

He did not arrive at this conclusion by the decent process of quiet, logical deduction, nor yet by the blinding flash...

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Jane Austen: I do not...

Jane Austen: I do not...

I do not want people to be very agreeable, it saves me the trouble of liking them a great...

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Freda Adler: It is not...

Freda Adler: It is not...

It is not only by the questions we have answered that progress may be measured, but also by those we are still...

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Fay Weldon: Young women especially...

Fay Weldon: Young women especially...

Young women especially have something invested in being nice people, and it's only when you have children that you...

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Dorothy Miller Richardson: Coercion. The unpardonable...

Dorothy Miller Richardson: Coercion. The unpardonable...

Coercion. The unpardonable crime.

Source: Pilgrimage, Vol. IV, Ch. 9, 1938.
--...

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Madeleine L'Engle: No matter how...

Madeleine L'Engle: No matter how...

No matter how true I believe I am writing to be, if the reader cannot also participate in that truth, then I have...

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George Eliot: It is seldom...

George Eliot: It is seldom...

It is seldom that the miserable of the world can help regarding their misery as a wrong inflicted by those who are...

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Anzia Yezierska: The real thing...

Anzia Yezierska: The real thing...

The real thing creates its own poetry.

Source: Red Ribbon on a White Horse,...

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Anzia Yezierska: In America, money...

Anzia Yezierska: In America, money...

In America, money takes the place of God.

Source: In Words of Women Quotations for...

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Betty Smith: Forgiveness is a...

Betty Smith: Forgiveness is a...

Forgiveness is a gift of high value. Yet its cost is nothing.

Source: In Readers'...

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Louisa May Alcott: It takes people...

Louisa May Alcott: It takes people...

It takes people a long time to learn the difference between talent and genius, especially ambitious young men and...

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George Eliot: What a wretched...

George Eliot: What a wretched...

What a wretched lot of old shrivelled creatures we shall be by-and-by. Never mind --the uglier we get in the eyes of...

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Jane Austen: A person who...

Jane Austen: A person who...

A person who can write a long letter with ease, cannot write ill.

Source: Miss...

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Jane Austen: A single woman...

Jane Austen: A single woman...

A single woman with a narrow income must be a ridiculous old maid, the proper sport of boys and girls; but a single...

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Gloria Naylor: The last time...

Gloria Naylor: The last time...

The last time you're doing something -- knowing you're doing it for the last -- makes it even more alive than the...

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Olive Schreiner: We all enter...

Olive Schreiner: We all enter...

We all enter the world little plastic beings, with so much natural force, perhaps, but for the rest --blank; and the...

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Edna O'Brien: I'm a tuning...

Edna O'Brien: I'm a tuning...

I'm a tuning fork, tense and twanging all the time.

Source: In An Uncommon Scold,...

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Djuna Barnes: Life, the permission...

Djuna Barnes: Life, the permission...

Life, the permission to know death.

Source: Nightwood/ 1937
-- Djuna Barnes,...

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Anne Tyler: I never think...

Anne Tyler: I never think...

I never think about the actual process of writing. I suppose I have a superstition about examining it too...

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